|
Title
|
Topics
|
Rating and Reason
|
|
2001 A Space Odyssey (1968)
D: Kubrick
|
Space, the nature of humanity
|
G: Animal violence
|
|
Annie Hall (1977)
D: Allen
|
Romance, life in the modern world
|
PG-13: Sensuality, language
|
|
The Best Years of Our Lives (1946,
BW)
D: Wyler
|
Life and America after World War
|
NR: Some drama
|
|
Bringing Up Baby (1938 BW)
D: Hawks
|
Romantic comedy
|
G
|
|
Casablanca (1942, BW)
D: Curtiz
|
Drama, America’s role in the world
|
PG: Violence, implied sensuality
|
|
Citizen Kane (1941, BW)
D: Welles
|
The American Dream, American politics
|
NR: Implied sensuality
|
|
City Lights (1931, BW)
D: Chaplin
|
Wealth and poverty
|
NR: Slapstick violence
|
|
Days of Heaven (1978)
D: Malick
|
Life in the American Midwest
|
PG: Mild sensuality, violence
|
|
Double Indemnity (1944)
D: Wilder
|
Crime, how a person becomes a criminal
|
NR: Implied sensuality, violence
|
|
Dr. Strangelove: Or How I Learned to Stop
Worrying and Love the Bomb
(BW 1964)
D: Kubrick
|
Man’s reliance on machines, the Cold
War, nuclear winter
|
NR: Implied sensuality, violence
|
|
Duck Soup (1938, B&W)
D: McCarey
|
Commentary on nationalism, comedy
|
G: Innuendo, comedic violence
|
|
E.T. The Extra Terrestrial (1982)
D: Speilberg
|
Accepting the “other”
|
PG: Violence, language
|
|
The General (1926, BW, Silent)
D: Keaton
|
The Civil War, railroads
|
NR: Mild slapstick violence
|
|
The Gold Rush (1925, BW, silent)
D: Chaplin
|
The American Dream, Alaska
|
NR: Some violence
|
|
Gone with the Wind (1939)
D: Fleming
|
The South, The Civil War, Reconstruction
|
NR: Some violence, innuendo, language
|
|
The Grapes of Wrath (1940, BW)
D: Ford
|
The Great Depression
|
NR: Some violence
|
|
It’s a Wonderful Life (1946, B&W)
D: Capra
|
The purpose of life
|
G: Drama
|
|
Jaws (1975)
D: Speilberg
|
Nature, wildness
|
PG: Violence, language
|
|
King Kong (1933, B&W)
D: Cooper
|
Nature, wildness versus civilization
|
PG: Violence, innuendo
|
|
Maltese Falcon (1941) D: Huston
|
Crime in America
|
NR: Some violence
|
|
Modern Times (1936, BW, Silent)
D: Chaplin
|
The Great Depression, Industrialism
|
G: Comedic drug use
|
|
The Night of the Hunter (1955, BW)
D: Laughton
|
Extremism, religious fanaticism, The
American South,
|
NR: Some violence
|
|
On the Waterfront (1954, BW)
D: Kazan
|
Labor unions and disputes, the role
of religion
|
NR: Violence, sensuality
|
|
Raiders of the Lost Ark (1981)
D: Spielberg
|
Adventure
|
PG: Violence, sensuality
|
|
Rear Window (1954)
D: Hitchcock
|
Suspense, observation
|
PG: Violence, sensuality
|
|
The Searchers (1956)
D: Ford
|
The American West and Native
Americans, racism
|
NR: Violence
|
|
Singin’ in the Rain (1952)
D: Donen
|
American entertainment and the movies
|
NR: comedic violence
|
|
Some Like it Hot (1959, BW)
D: Wilder
|
Gender roles, 1920s, the Mafia,
Prohibition,
|
NR: Gender differences
|
|
Star Wars (1977)
D: Lucas
|
Space, fantasy
|
PG: Violence
|
|
Swing Time (1936 BW)
D: Stevens
|
Wealth and poverty
|
NR
|
|
To Kill a Mockingbird (1962, BW)
D: Mulligan
|
The South, racism
|
PG: Violence, Drama
|
|
Treasure of the Sierra Madre (1948)
D: Huston
|
Greed, the US/Mexico border
|
PG: Violence
|
|
Vertigo
(1958)
D: Hitchcock
|
The nature of the mind
|
PG: Suspense
|
|
Wizard of Oz (1939)
Cukor, et. Al.
|
Fantasy
|
G
|
American Great Works List: Film
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